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This is a
sample answer to Professor Staudt’s Spring 2000 Copyright exam drawn
from the top two or three student submissions.
It is not a perfect exam. It
is not 100% correct. It does not cover all the issues.
It was not written by the professor but by students during the
exam period. It is intended
to give some insight into the style and type of answers that have been
successful in the past. Question 1 There are
three parts to a prima facie case of copyright infringement that Pam
would need to satisfy in order to be able to sustain a claim against Bob
Builder. First, Pam needs to prove that she is indeed the owner of a
valid copyright. That the photographs are subject to copyright
protection is unquestionable. Under section 102(a)of the Copyright Act,
copyright protection extends to original works of authorship fixed in
any tangible medium of expression. Photographs were established as
original works of authorship under BurrowGiles Lithographic Co. v. Sarony and meet the two constitutional
requirements for originality as established by Feist Publications, Inc. v. Rural Telephone Service: they were
independently created and exhibit a minimal level of creativity. That
the photographs are fixed in a tangible medium of expression is
undeniable, as they embodied on a copy from which they can be perceived
and are sufficiently stable and permanent to be perceived for more than
a transitory duration. Bob Builder
might question whether Pam is the owner of the copyright in the
photographs, by arguing that the photographs qualify as a work made for
hire, making Bob Builder the copyright owner. A work can qualify as a
work made for hire in one of two ways: 1) the work is prepared by an
employee within the scope of her employment; or 2) the work is specially
ordered or commissioned for use as a contribution to one of nine types
of works specified in the Copyright Act, as long as the parties
expressly agreed in a signed writing that the work would be a work made
for hire. The second type of work made for hire can be easily dismissed
as not applying to this case. The photographs which Pam took for Bob
Builder for his construction do not fit into any of the nine categories
specified by the Act (which are collective works, parts of motion
pictures or other audiovisual works, translations, supplementary works,
compilations, instructional texts, test, answer materials for tests, or
atlases). Even if the photographs were found to fit into one of these
nine categories, the Act specifically requires a signed writing stating
that the work is to be considered a work made for hire in order for it
to be so, and there is no indication that Pam and Bob Builder ever
signed any express agreement that he would be the copyright owner of the
photographs as works made for hire. A work can
also be a work made for hire if the work is prepared by an employee
within the scope of her employment. A court will not likely find Pam to
have been Bob Builder's employee when the photographs were taken. The
definition of "employee" follows the common law agency
meaning. The Restatements guidelines of factors that tend to show that
there is an employer‑employee relationship include the hiring
party's right to control the manner and means by which the product is
accomplished, whether the hiring party has the right to assign
additional projects to the hired party without additional pay, the tax
treatment of the hired party (whether the hiring party pays social
security and payroll taxes), and the regularity of payments and
provision of employee benefits. None of the factors fit in the present
case to indicate the presence of an employer‑employee
relationship. The memorandum of terms that Pam gave to Bob Builder
indicate that she had most of the control over how the project was going
to be accomplished and that he was only to provide the necessary costs
related to the project's completion. Furthermore, the memorandum states
that Pam would provide an exact quote after he provided the exact
details of what he needed, indicating that if he were planning on
assigning her additional projects, he would have to do so with
additional pay to Pam. Finally, there is no indication that Bob Builder
ever paid any employee taxes on Pam's behalf or that he paid her at any
time except in the lump sum fee that Pam quoted to him. Therefore, the
likely outcome of the first part of the prima facie case for copyright
infringement would probably be in Pam's favor, finding her the owner of
a valid copyright in the photographs. The
second part of the prima facie case for copyright infringement is to
prove copying. There is no question here that Bob Builder copied
Pam's photographs. He admitted to making exact color copies of them
because the cost of getting the reprints from Pam was prohibitively
high. The
third part of the prima facie case for copyright infringement is to
prove improper appropriation, which will likewise probably be resolved
in Pam's favor. The test for improper appropriation is whether there is
substantial similarity of a protectable element of the work, and in this
case substantial similarity is obvious because Bob Builder made exact
copies of entire reprints. Bob
Builder may argue that under the first sale doctrine, he has the right
to do with the reprints as he pleases. He lawfully purchased the first
set of images from Pam and so has the right to reproduce and distribute
them as he pleases. This argument would be flawed, however, because the
first sale doctrine is a limitation on the exclusive right to distribute
copyrighted works, not on the exclusive right to reproduce them. The
first sale doctrine allows one who lawfully purchased a copy of a
copyrighted work to sell or otherwise dispose of that copy, but it does
not allow one who lawfully purchased a copy to make additional copies of
the work for distribution. In addition, the fact that Pam sold the
actual photographs to Bob Builder does not mean that she also
transferred the copyright in the photos to him. The transfer of chattels
on which copyrighted material is fixed does not include the transfer of
the copyright unless there is proof of the plaintiffs intent to transfer
the copyright with the chattels. Therefore, a court is likely to find in
favor of Pam that there is improper appropriation of her copyrighted
photographs. Bob will
assert the affirmative defense of fair use. This seems a weak defense.
The purpose and character of the use is not even one of the purposes
stated in section 107. It is certainly not for criticism, comment, news
reporting, teaching, scholarship or research. Further
the character of the use is in no way transformative. That is, the new
copies do not add anything new, they merely supersede the original
photos. While its true that his purpose is not of commercial motivation,
this first factor certainly seems to cut against him. The
nature of the photographs may not be as original or creative as fiction,
audiovisual work, or a painting, but the photographs are certainly more
creative than directories or mere catalogs. As
for the amount and substantiality, Bob copied essentially all of the
photos he had. He made a total of 2034 complete copies from a set of 203
of the original photographs. Finally, Bob
affected Pam's market for the value of the copyrighted works. The
purpose of the work was to provide documentation and establish an
evidentiary record of the progress of the construction. It appears that
almost the entire market for the work was for this "evidentiary
record." By simply having Copy Corp copy the photos rather than
Pam, he essentially undercut Pam's entire market for the photos. Bob's strongest defense is that there was an implied license for him to make copies of the photos he purchased for litigation purposes. The factual record of objective intention and knowledge, and the customary practices in the business may shed more light on this question. While under section 204 an exclusive transfer must be in writing, a non‑exclusive license may be granted orally, or may even be implied from conduct. Bob's non‑exclusive license would be to make copies of the photos for the intended purpose of potential litigation. It is presumed the Pam had knowledge of the intended purpose of the photos. It is not clear the she intended Bob to freely copy the photos, once purchased from her, for that intended purpose. Bob did pay for each individual trip for the cost to fly and the cost to shoot the job site but the facts seem to indicate that Bob was required to purchase any of the photos he wanted from her once chosen from the proofs. Question 2 Jurisline will probably obtain a
declaration that its copying of judicial opinions from LEXIS is
protected under federal copyright law. Jurisline is correct in stating
that the judicial opinions on the LEXIS CD‑ROMs are public domain
material, in which LEXIS may not claim a copyright. Jurisline will
probably further succeed in convincing the court that LEXIS does not
have any basis for claiming copyright in the CD‑ROM information as
compilations. According to Feist
Publications, Inc. v. Rural Telephone Service, a compilation is
copyrightable only if the particular selection, coordination, or
arrangement of facts satisfies the two constitutional requirements of
originality: independent creation and a minimal level of creativity.
According to Matthew Bender & Co. v. West Publishing Co., there are three
functions of creativity in compilations: 1) the total number of options
available; 2) external factors that limit the viability of certain
options and renders others non‑creative; and 3) prior uses that
render certain selections "garden variety." That court decided
that the selection, coordination, and arrangement of judicial opinions
by WestLaw was not minimally creative. Assuming that LEXIS has a similar
selection and arrangement of its decisions that is mostly dictated by
legal standards and the Bluebook and
not one that is more creative, a court will probably decide that the
LEXIS compilation of judicial opinions is not copyrightable. If LEXIS includes brief summaries of
the cases that it has written before each opinion and Jurisline copied
those, then Jurisline certainly infringed upon LEXIS's copyright,
because the summaries are certainly copyrightable expression. However,
there is no indication that such summaries exist or that Jurisline
copied those, so there would be no copyright infringement of LEXIS
CD‑ROMs. LEXIS's argument that it spent a great deal of
"time, effort and money" in creating the CD‑ROMs would
have no relevance in the copyright inquiry, because the Court in Feist specifically rejected protection of works that do not satisfy
the two originality requirements based on the "sweat of the
brow" theory. Although Jurisline may get a declaratory judgment in its favor that its copying is protected by federal copyright law, that declaration may not make any difference, as LEXIS's claims against Jurisline are state law claims of fraud and breach of contract, not federal copyright. The basic question with respect to LEXIS's claim against Jurisline is whether the state law claim for breach of contract is preempted by federal copyright. In all likelihood, the answer is no. First, there is evidence in the legislative history of section 301 of the Copyright Act, the preemption provision, that indicates that claims for breach of contract were not intended to be preempted. Under section 301 (a) copyright law preempts any state law that grants legal or equitable rights equivalent to any of the exclusive rights granted by copyright within the general scope of copyright. An early version of section 301 (b)(3) listed certain rights and remedies which were examples of non‑equivalent state claims and included breaches of contract. Although this version was not adopted in the final Act, it is instructive for purposes of determining what types of claims Congress did not originally intend to preempt. Second, according to ProCD,
Inc. v. Zeidenberg, copyright law does not preempt contracts between
parties. According to the court in ProCD,
rights equivalent to any of the exclusive rights within the general
scope of copyright are those that restrict the options of persons who
are strangers to the author, whereas contracts only establish the rights
of the parties entering into the agreement, without having any effect on
the rest of the world. The ProCD court
stopped short of saying that all contracts are outside the copyright
preemption provision; it acknowledged that there may be some situations
in which upholding a contract could "interfere with the attainment
of national objectives" and, therefore, be subject to preemption
under section 301 (a). However, in that case the court upheld the
shrinkwrap licenses on database software which precluded the purchaser
from certain uses of the software, presumably because the contract did
not interfere with the attainment of national objectives as embodied in
copyright law. Although the software could not satisfy the originality
requirement and therefore was not copyrightable, making the defendant's
use of the software otherwise permissible, the presence of a contract,
in the form of the shrinkwrap license which limited the defendant's
ability to commercially redistribute the software, made defendant's use
of the software violative of the plaintiffs legal rights. The ProCD case
is similar to the claim by LEXIS. Although the judicial opinions in
LEXIS's database are probably not copyrightable, as discussed above,
Jurisline's co-founder signed a contract expressly stating that he would
be using the LEXIS CDROMs for his personal use only and not to post on
the Internet. This, in fact, is exactly what he did, however, by making
the information on the CD‑ROM's available to other users on the
Jurisline web site. LEXIS, therefore, would likely be able to succeed on
its claim for breach of contract (whether it would succeed on its claim
for fraud depends on whether or not LEXIS could prove that the Jurisline
co-founder initially purchased the CDROMs with the intent to violate the
agreement, which depends on facts not given in this summary).
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