For opinion see 125 S.Ct. 686
Briefs and Other Related Documents
Supreme Court of the United States.
METRO-GOLDWYN-MAYER
STUDIOS INC., et al., Petitioners,
v.
GROKSTER, LTD.,
et al., Respondents.
No. 04-480.
November 8, 2004.
On Petition For Writ
Of Certiorari To The United States Court Of Appeals For The Ninth Circuit
Brief in
Opposition
Mark A. Lemley, Michael H. Page, Keker & Van Nest, LLP, 710 Sansome Street, San Francisco, CA 94111, (415) 391-5400,
Counsel for Respondent, Grokster, Ltd.
Cindy
A. Cohn [FN*], Fred Von Lohmann, Electronic
Frontier, Foundation, 454 Shotwell Street, San
Francisco, CA 94110, (415) 436-9383 x108.
Charles
S. Baker, Porter &
Hedges, LLP, 700 Louisiana Street, Suite 3500, Houston, TX 77022, (713)
226-0676.
Matthew A. Neco, StreamCast Networks, Inc., 20969 Ventura Boulevard,
Woodland Hills, CA 91364, (818) 887-8610, Counsel for Respondent, StreamCast Networks, Inc.
FN* Counsel of Record
*i QUESTION
PRESENTED
Whether the district court and Ninth Circuit
correctly concluded that Congress, rather than the courts, should decide
whether and how to expand the scope of the statutory copyright monopoly to
reach new technologies that have substantial noninfringing uses.
*ii PARTIES TO THE CASE AND RULE 29.6 STATEMENT
[omitted]
Respondents, appellees
below, are StreamCast Networks, Inc. and Grokster Ltd.
The parent company of Respondent StreamCast Networks, Inc. is Stirling
Bridge, Inc., which is not a publicly traded company.
*iii TABLE OF CONTENTS
QUESTION PRESENTED ... i
PARTIES TO THE CASE ... ii
TABLE OF AUTHORITIES ... v
JURISDICTION ... 1
INTRODUCTION ... 1
STATEMENT ... 3
I. Applicable Copyright Law Principles ... 3
II. Factual Background ... 5
III. Proceedings Below ... 9
IV. Congressional Activity ... 13
REASONS FOR DENYING THE WRIT ... 15
I. Finding The Proper
Accommodation Between New Technologies And Copyright Is A Task Properly
Entrusted To Congress ... 16
II. The Lower Courts Correctly Rejected
Petitioners' Effort To Overturn The "Substantial Noninfringing
Use" Test Set Down In Sony v. Universal And Applied Established
Secondary Liability Precedents ... 20
III. The Decision Below Creates No Split Among The Circuits ... 24
IV. No Urgency Justifies This Court Taking Over The Task The Constitution Commits To Congress ... 27
CONCLUSION ... 30
*v TABLE OF AUTHORITIES
[omitted]
*1 OPINIONS BELOW
The opinion of the court of appeals is
reported at 380 F. 3d 1154 and reprinted in the Appendix to the Petition ("Pet.
App.") at 1a-22a. The opinion of the
district court is comprised of two rulings: the first reported at 259 F. Supp.2d 1029, Pet. App. 23a-56a, and the second filed on June 18, 2003,
reprinted in the Appendix to this Brief in Opposition ("Opp. App.") at 1a-10a.
JURISDICTION
The judgment of the court of appeals was
entered on August 19, 2004. The petition for writ of certiorari was filed on
October 8, 2004. The jurisdiction of this Court is invoked under 28 U.S.C. § 1254(1).
INTRODUCTION
The petition for certiorari from the
interlocutory ruling of the court of appeals satisfies none of the criteria for
review in this Court. Petitioners seek error correction, pure and simple. They
concede that no precedent of this Court supports their position. See, e.g.,
Pet. 12 ("Sony-Betamax did not, however,
resolve the question presented here. ..."). Nor is this a case in which
the Court is called upon to interpret or evaluate the constitutionality of a
legislative enactment in an area involving technological change. Cf. Eldred v. Ashcroft, 537 U.S. 186 (2003); Reno v. ACLU, 521 U.S. 844 (1997). The claimed circuit conflict with a single ruling of the Seventh
Circuit - relegated to page 24 of the petition - is entirely illusory.
Petitioners identify no statutory provision that supports their position, for
none exists. Even their call for error correction is no more than a naked
request that this Court overturn both the factual findings of the district court below and settled principles of secondary
copyright liability.
The Court should reject that request. As this
Court has repeatedly acknowledged, Congress is the body the *2
Constitution charges with determining what is "just and economically
rational," Pet. 12, in striking the balance between the interests of
copyright holders and technology innovators. Congress, moreover, is at this
moment considering the very question Petitioners pose to this Court - whether
and how copyright law should be altered to address the challenges and
opportunities created by new internet technologies, including peer-to-peer
("P2P") file sharing. Congress' judgment will be informed by the
essential facts that Petitioners ask this Court to brush aside - that the
technology in question has substantial noninfringing
uses, and that the prospect of massive and unpredictable liability for
innovators under Petitioners' theory would cast a pall over the nation's
technology sector.
Petitioners ask this Court to preempt the
legislative process and substitute judicial policy-making: "A court must
assess a system's actual and probable potential infringing and noninfringing uses, and then must balance the costs and
benefits to accommodate the interests of copyright holders in preventing
infringement while protecting the right of the public to use products for noninfringing uses." Pet. 24.
The Court rejected exactly this invitation in Sony Corp. of America
v. Universal City Studios, 464 U.S. 417 (1984), announcing a rule of deference to Congress that has served copyright owners,
innovators and the public well for twenty years. In turn, Congress has
repeatedly amended the Copyright Act to address new technologies and to craft
balanced, nuanced statutory solutions to accommodate the competing interests of
these two critical sectors of the American economy, as well as "society's
... interest in the free flow of ideas, information and commerce." Id. at 429.
The courts below correctly rejected
Petitioners' arguments and applied this Court's directly applicable holding in Sony
v. Universal. In the absence of any circuit split, and in light of this
Court's settled precedent, there is no reason to second-guess the lower court
rulings here.
The petition should be denied.
*3 STATEMENT
I. Applicable Copyright Law Principles.
1. Copyright is a "domain the
Constitution assigns to the First Branch."
Eldred v. Ashcroft, 537 U.S. at 222. For more than a century, it has been settled that "the
protection given to copyrights is wholly statutory." Sony v. Universal, 464 U.S. at 431 (citing Wheaton v. Peters, 33 U.S. (8 Peters)
591 (1834)). Defining the scope of the
statutory copyright grant "involves a difficult balance between the
interests of authors ... in the control and exploitation of their writings ...
on the one hand, and society's competing interest in the free flow of ideas,
information and commerce, on the other hand."
Id. at 429.
The "difficult balance" that
characterizes copyright law regularly must be reassessed in light of new
technologies. This Court has recognized that Congress is the appropriate body
to perform this reassessment because "Congress has the constitutional
authority and the institutional ability to accommodate fully the varied
permutations of competing interests that are inevitably implicated by such new
technology." Id. at 431. Accordingly, this
Court has concluded that "[s]ound
policy, as well as history, supports our consistent deference to Congress when
major technological innovations alter the market for copyrighted
materials." Id.
2. That is not to say
that the courts have no role to play in evaluating claims of secondary
copyright infringement. Rather, courts have articulated two limited theories of
secondary liability - theories that indisputably do not give rise to liability
here - and left further extensions of liability to Congress. Those two theories
are contributory infringement and vicarious liability.
Contributory infringement is effectively an
aiding and abetting theory and requires: (1) direct infringement by a primary
infringer; (2) knowledge of such infringement by the alleged contributory
infringer; and (3) material contribution by the contributory infringer to the
primary infringer's violation. Pet. App. 8a. Vicarious liability is an *4
outgrowth of respondent superior and
requires: (1) direct infringement by a primary infringer; (2) direct financial
benefit to the secondary infringer from such infringement; and (3) the right
and ability of the secondary infringer to supervise the primary infringer. Pet.
App. 16a.
It was not until Sony v. Universal that
a copyright owner attempted to apply these judge-made principles to the
developer, manufacturer, or distributor of a multipurpose technology - the Sony
Betamax video recorder. This Court rejected that
"unprecedented" extension of judge-made secondary liability
principles, cautioning that such an extension would effectively "enlarge
the scope of respondents' statutory monopolies to encompass control over an
article of commerce." Sony v. Universal, 464 U.S. at 421.
In order to avoid this intrusion into the
legislative domain, Sony v. Universal looked to the closest statutory
analog - the patent laws - to define an outer limit for judge-made secondary
copyright liability principles. See 35 U.S.C. § 271(c). In copyright, as in patent, the Court held, a defendant cannot
be liable for making or distributing a device so long as the technology in
question is "capable of substantial noninfringing
uses." Sony v. Universal, 464 U.S. at 442.
This holding in Sony v. Universal has provided a default rule on which innovators of all stripes have depended for two decades. Meanwhile, Congress has taken up its constitutional obligation to balance the interests of innovators, copyright owners, and the public by amending the Copyright Act no fewer than seven times to address new technologies as they arise. See, e.g., Satellite Home Viewer Act of 1988, Pub.L. No. 100-667, 102 Stat. 3960
(codified at 17 U.S.C. § 119) (establishing compulsory licenses for satellite television broadcasters); Audio Home Recording Act of 1992, Pub. L. No. 102-563, 106 Stat. 4237 (codified at 17 U.S.C. § § 1001-1010) (adopting levy and technology mandates for digital audio recording); Digital Performance Rights in Sound Recordings Act of 1995, Pub. L. No. 104-39, 109 Stat. 336 (codified at 17 U.S.C. § § 106(6), 114) (creating new public performance rights, *5 and accompanying compulsory licenses, for digital transmission of sound recordings); No Electronic Theft Act of 1997, Pub.L. No. 105-147, 111 Stat. 2678 (codified at 17 U.S.C. § 506(a)) (expanding scope of criminal copyright infringement in response to increase in noncommercial digital infringements); Digital Millennium Copyright Act of 1998, Pub. L. No. 105-304, 112 Stat. 2860 (codified at 17 U.S.C. § § 1201-1205) (creating new protections for right-sholders that employ technical protection measures on digital works); Small Webcaster Settlement Act of 2002, Pub. L. No. 107-321, 116 Stat. 2780 (codified at 17 U.S.C. § 114) (adjusting compulsory license rates for small webcasters); Technology, Education, and Copyright Harmonization Act of 2002, Pub. L. No. 107-273, 116 Stat. 1758 (codified at 17 U.S.C § § 110(2), 112) (expanding copyright exceptions for educational and library users to facilitate distance learning over the internet). During those twenty years, however, Congress
has left conspicuously undisturbed the rule of judicial deference announced in Sony
v. Universal.
II. Factual Background.
This case involves P2P file sharing software
distributed by Respondents. Simply put, these software products enable
individuals to exchange digital files with others over the internet. The
technology enables transfers of any sort of digital file, from text to video to
music, including innumerable items that are not copyrighted or whose creators
have affirmatively authorized and encouraged free distribution and
redistribution.
The ruling below ably describes the manner in
which the software functions. Pet. App. 4a-8a. For
purposes of disposing of Petitioners' arguments for certiorari, however, two
factual findings by the lower courts bear special attention.
1. First, as the Ninth Circuit found after
"careful examination of the record," it is undisputed that the
software distributed by Respondents is not only capable of noninfringing uses, but is today actually being used
to *6 distribute millions of noninfringing
files and that those noninfringing uses are
commercially significant. Pet. App. 10a-12a.
Respondents introduced uncontroverted
evidence, and the lower courts found as a
matter of fact, that many artists and authors welcome the free distribution of
their works on P2P networks. For example, Respondents submitted the declaration
of nine-time Grammy nominated singer-songwriter Janis Ian, who credits P2P
sharing of her music for increased CD sales. JER 2:387-90. [FN1] In addition,
evidence was submitted regarding the numerous well-known bands, including Phish, Pearl Jam, the Dave Matthews Band and John Mayer, that have authorized free P2P sharing of live concert
recordings among fans. JER 3:654- 51. On the basis of
the evidence submitted, the Ninth Circuit found that "the record indicates
that thousands of other musical groups have authorized free distribution of
their music through the internet." [FN2] Pet. App. 11a. P2P networks are
also being used to distribute "shareware" and "freeware"
software that is authorized for redistribution. JER 26:7608.
FN1. Citations to the Joint Excerpts
of Record below will be in the form "JER 26:2345," where the number
before the colon indicates the volume, while the one following the colon
indicates the page number.
FN2. To take just one example of this
rapidly accelerating phenomenon, the Internet Archive is today distributing
over 17,000 concert recordings from more than 700 musical groups using P2P
networks. See Internet Archive: Live Music Archive (available at
<http://www.archive.org/audio/>). Brewster Kahle, founder of the
Internet Archive, provided testimony below in which he emphasized the
importance of P2P networks in making this kind of noncommercial distribution
feasible and cost-effective. JER 2:507-11.
Respondents also introduced undisputed
evidence that commercial ventures are using P2P networks to distribute
entertainment and promotional content that has been authorized for distribution
in these channels. The evidence below established that a variety of commercial
ventures, including the Prelinger Archives, GigAmerica, Reel Mind and J!VE Media, have built their
commercial businesses *7 by using P2P networks to promote and distribute
hundreds of thousands of authorized copies of music, games, and video content.
JER 2:502- 05, 513-17, 528, 4:954-55.
Respondents' software is also being used to
distribute and obtain public domain and government works. Several noncommercial
efforts, including Project Gutenberg and the Internet Archive, have been using
P2P networks to distribute thousands of public domain works. JER 2:401-06,
507-11, 3:630-31. In fact, Petitioners' own expert below, despite using a
deliberately blinkered search strategy, was unable to avoid finding public
domain works by Shakespeare, the King James Bible, the Koran, the Communist
Manifesto, and several of Plato's dialogs. JER 3B:752.109-13.
In the two years since the record was
developed in the district court, the noninfringing commercial uses of P2P networks have been
growing rapidly. [FN3] Cf. Ashcroft v. ACLU, 124 S.Ct. 2783, 2794-95 (2004) (noting that the rapid pace of change in the internet context can
leave facts stale by the time appellate review occurs). This accelerating trend
is not surprising, as P2P networks promise to dramatically reduce the costs of
distribution for content owners who are willing to embrace them. Pet. App. 16a (Ninth Circuit finding that P2P technologies
"significantly reduc[e] the distribution costs
of public domain and permissively shared art and speech").
FN3. See, e.g., Chris Marlowe,
Artists Take Advantage of P2P Music Sharing, The Hollywood Reporter,
Aug. 25, 2004 (available at <http://
www.hollywoodreporter.com/thr/columns/tech_reporter_display.jsp?vnu_ content_id=1000617772>) (noting that rock band Heart
sold more songs on P2P networks, including to users of Respondents' software,
than through Apple's iTunes Music Store); Sue Zeidler, Big Media Quietly Using File-Sharing,
Reuters, Nov. 4, 2003 (available at <http://
www.msnbc.com/news/988642.asp>) (describing P2P promotional campaign
arranged by the Jun Group on behalf of major beverage company involving the
free distribution of music by the HiWatts).
Petitioners drastically mischaracterize the
record and the lower court rulings with
respect to the noninfringing uses of Respondents'
software. The Ninth Circuit did not *8 simply "pronounce"
these technologies capable of commercially viable noninfringing
uses, nor did it rely on " anecdotes"
detailing how the software "might be used." Pet.
20. Both the district court and Ninth Circuit closely examined the
record and, based on the voluminous uncontroverted
evidence submitted by Respondents, found as a matter of undisputed fact
that the software in question is today being used for commercial (as well as
noncommercial) noninfringing uses. Pet. App. 10a-11a
("The Copyright Owners submitted no evidence that could contradict"
Respondents' evidence regarding noninfringing uses.);
Pet. App. 33a-34a (district court citing evidence of both commercial and
noncommercial noninfringing uses). Petitioners'
efforts to attack these factual findings for the first time before this Court
are improper and unavailing. Opp. App. 7a (court
below noting that "Plaintiffs have essentially not disputed that
Defendants' software has current and potential noninfringing
uses, and it is curious that Plaintiffs would seek to squarely address this
issue for the first time on appeal.").
Accordingly, it is factually established that
Respondents' software is not only capable of, but also has widespread actual, noninfringing commercial and non-commercial uses. As
discussed below, that finding is dispositive of
Petitioners' secondary liability claims under Sony v. Universal.
2. Both the district court and Ninth Circuit
found, as a matter of undisputed fact, that Respondents have no ability to
discover, monitor, or control what the users of their software choose to search
for, share, or download.
The P2P software at issue enables its users to
create a decentralized network over the internet. As the Ninth Circuit
correctly observed, and Petitioners concede, Pet. 6-7, Respondents' software
does not depend on any centralized computers or indices created or maintained
by Respondents: "[I]t is the users of the software who, by connecting to
each other over the internet, create the network and provide the access."
Pet. App. 15a. Users are not required to "log in" or otherwise
interact with any *9 computers controlled by Respondents in order to
join the network, nor do Respondents have any ability to block access to
individual users. Pet. App. 18a. In short, once the software has been downloaded
by users, Respondents have no involvement in, nor ability to control, what it
is used for. In fact, the lower courts found that Respondents could shutter
their operations altogether and the users of its software could continue to
access the P2P networks without impairment. [FN4] Pet. App. 13a.
FN4. Petitioners contend that the
software was previously designed to operate differently. As discussed supra,
the district court has not yet ruled with respect to liability for prior
versions of the software. Opp. App. 2a. Accordingly,
that question is not before this Court in this interlocutory
appeal.
Despite these factual findings below (which
Petitioners do not contest, but blithely dismiss as "immaterial" Pet.
6), Petitioners mischaracterize Respondents as providers of a
"service" rather than a product and imply that the public P2P
networks are a "distribution system" somehow controlled by
Respondents. Pet. 5. Neither the district court nor
the Ninth Circuit were taken in by Petitioners'
rhetoric: "The district court found that ... Grokster
and StreamCast do not operate and design an
integrated service which they monitor and control. We agree." Pet. App.
19a.
III. Proceedings Below.
The instant petition arises from an
interlocutory order certified by the district court to the Ninth Circuit for
appeal. The district court's order, issued on April 25, 2003 and amended by its
subsequent order of June 18, 2003, granted Respondents' (defendants below)
motions for partial summary judgment as to Petitioners' contributory
infringement and vicarious liability claims. The Court of Appeals subsequently
affirmed.
1. In October 2001, twenty-eight companies
representing the major record and motion picture industries *10 filed
suits against Respondents, alleging contributory and vicarious copyright
infringement. In November 2001, a similar suit was filed by several
song-writers and music publishers. The district court subsequently consolidated the actions for
discovery. [FN5]
FN5. The actions also named several
other defendants, not involved in this appeal, which distribute the Kazaa software program.
In September 2002, StreamCast
filed two motions for partial summary judgment, one
each aimed at Petitioners' contributory infringement and vicarious liability
claims. JER 1:230-77. At the same time, Grokster and
Petitioners moved for complete summary judgment as to all claims. JER 1:142-70;
2:656-713.
In an April 25, 2003 order, the district court
granted StreamCast's motion, and granted Grokster's motion in part. In granting Respondents'
motions, the district court noted the limited scope of its ruling, emphasizing
that "[t]he Court declined to rule on the current record as to the
potential liability arising from 'past versions' of Defendants' products and
services." Opp. App. 2a. In a June 18, 2003
order, the district court clarified its earlier ruling and certified the matter
for interlocutory appeal pursuant to 28 U.S.C. § 1292(b) and Rule 54(b). Opp. App. 2a-9a.
Petitioners' claims of liability for earlier
versions of Respondents' software are still pending before the district court. Opp. App. 8a. Similarly, the case in chief against a number
of remaining defendants is also still before the district court, with a summary
judgment motion currently pending. [FN6]
FN6. A motion for summary judgment by the Kazaa
defendants has been noticed for argument before the district court on November
8, 2004.
In its orders, the district court rejected
Petitioners' contributory infringement claims for two independent reasons
grounded in factual findings. First, the court found that, as a matter of
undisputed fact, Respondents' software was capable of, and actually being used
for, *11 substantial noninfringing uses. Pet. App. 33a-34a. The court then surveyed the record and
held that Petitioners had also failed to satisfy the "material
contribution" element of contributory infringement, noting the complete
absence of "evidence of active and substantial contribution to the
infringement itself." Pet. App. 48a. In concluding its examination of the
record, the district court found that "Grokster
and StreamCast are not significantly different from
companies that sell home video recorders or copy machines, both of which can be
and are used to infringe copyrights." Pet. App. 48a.
Turning to vicarious liability, the district
court found that "[t]here is no admissible evidence before the Court
indicating that Defendants have the ability to supervise and control the infringing
conduct (all of which occurs after the product has passed to
end-users)." Pet. App. 54a (emphasis in original).
The court recognized Petitioners' claim for what it was - an invitation to dramatically extend vicarious
liability principles to impose liability on the basis of financial benefit
alone - and declined to unmoor vicarious liability from its traditional
elements.
2. On interlocutory appeal, a unanimous panel
of the Ninth Circuit affirmed the district court's grant of partial summary
judgment, holding that "the district court correctly applied applicable
law and properly declined the invitation to alter it." Pet. App. 22a.
With respect to contributory infringement, the
Ninth Circuit faithfully applied the teachings of this Court's ruling in Sony
v. Universal. The panel found that "[a] careful examination of the
record indicates that there is no genuine issue of material fact as to noninfringing use." Pet. App. 10a. The court then
rejected Petitioners' suggestion that the court ignore this evidence in favor
of weighing the proportion of infringing and noninfringing
uses. The court noted that both Sony v. Universal and the Ninth
Circuit's own precedent in *12A&M Records v.
Napster, 239 F.3d 1004 (9th Cir. 2001), eschewed a proportionality inquiry in favor of a focus on
capability. [FN7]
FN7. In ruling against Napster, the
Ninth Circuit concluded that while the Napster file-sharing service was capable
of substantial noninfringing uses, this was of
limited assistance to Napster in light of its centralized indices, which
conferred on Napster actual knowledge of, and control over, specific infringements on its system. See Napster, 239
F.3d at 1020.
Separate and apart from its consideration of Sony
v. Universal, the Ninth Circuit also found that Petitioners had failed to
Come forward with any evidence showing that Respondents "materially
contributed" to direct infringement, noting that Respondents did not
provide the "site and facilities" for infringement, nor did they
materially contribute to the infringing activities in any way once the software
had been downloaded by users. Pet. App. 15a-16a.
"No infringing files or lists of infringing files are hosted by
defendants, and the defendants do not regulate or provide access." Pet.
App. 16a.
With respect to vicarious liability, the Ninth
Circuit found that the undisputed facts established that Respondents lacked any
ability to supervise users who might be engaged in infringing activities.
Applying both its own and the Second Circuit's settled precedents [FN8] to the
undisputed facts, the Ninth Circuit held that Respondents lacked any ability to
block users from accessing the P2P networks or to control what users search
for, share or download. Pet. App. 17a-19a. In fact,
the court recognized that "the sort of monitoring and supervisory
relationship that has supported vicarious liability in the past is completely
absent in this case." Pet. App. 19a.
FN8. This Court has never recognized the theory of vicarious
liability in copyright law. Although the claim was alleged before the district
court in Sony v. Universal, it was not before this Court on appeal. See
Sony v. Universal, 464 U.S. at 435 n.17.
The court of appeals agreed with the district
court that Petitioners' vicarious liability argument was thus "little more
than a contention that the software itself could *13 be altered to
prevent users from sharing copyrighted files." Pet. App. 19a. The court
properly declined Petitioners' invitation to change the law so as to transform
vicarious liability into a general and on-going duty on technology
vendors "to alter software located on another person's computer."
Pet. App. 20a.
The Ninth Circuit closed its opinion by
returning to Sony v. Universal, noting Petitioners' arguments amounted
to an invitation to "expand [] exponentially the reach of the doctrines of
contributory and vicarious copyright infringement." Pet. App. 21a. This the Ninth Circuit declined to do, heeding this Court's
message of deference when it comes to crafting copyright laws:
[W]e live in a quicksilver technological
environment with courts ill-suited to fix the flow of internet innovation. ...
Thus, it is prudent for courts to exercise caution before restructuring
liability theories for the purpose of addressing
specific market abuses, despite their present magnitude. Indeed, the Supreme
Court has admonished us to leave such matters to Congress. In Sony-Betamax, the Court spoke quite clearly about the role
of Congress in applying copyright law to new technologies.
Pet. App. 21a-22a.
IV. Congressional Activity.
Congress is aware of the challenges created by
new internet technologies, including P2P file sharing. No fewer than eight
bills addressing the issue are pending before the current Congress. [FN9]
FN9. See, e.g., Inducing
Infringement of Copyrights Act of 2004, S. 2560; Protecting Intellectual Rights
Against Theft and Expropriation (PIRATE) Act of 2004, S. 2237; Enhancing
Federal Obscenity Reporting and Copyright Enforcement (ENFORCE) Act of 2003, S.
1933; Artists' Rights and Theft Prevention (ART) Act, S. 1932; Piracy
Deterrence and Education Act of 2004, H.R. 4077; Protecting Children from
Peer-to-Peer Pornography Act of 2003, H.R. 2885; Author, Consumer and Computer
Owner Protection and Security (ACCOPS) Act of 2003, H.R. 2752; Cooperative
Research and Technology Enhancement (CREATE) Act of 2004, H.R. 2391.
*14 In fact,
Congress is in the midst of considering two particular measures intended to address P2P file sharing
directly. The first of these is an omnibus copyright measure that combines
several proposals intended to develop public copyright education programs and
enhance penalties for direct infringers. [FN10] This approach emphasizes
deterrence and education aimed at direct infringers in place of expanded
liability for software vendors.
FN10. See
Cooperative Research and Technology Enhancement (CREATE) Act of 2004, H.R. 2391
(as amended by the Senate).
The second measure, the Inducing Infringement
of Copyrights Act, [FN11] squarely addresses the question Petitioners seek to
put to this Court: whether copyright's secondary liability rules should be radically
reconfigured in order to give copyright owners control over new technologies
that can be used for infringement. In the few months since Senate Judiciary
Committee Chairman Orrin Hatch introduced the bill, it has proven highly
controversial, leading Senator Hatch to convene a working group that includes
representatives of the entertainment and technology sectors to craft a balanced
solution. The technology sector, in particular, has expressed serious concerns
lest an overbroad secondary liability regime leave numerous technology vendors
vulnerable to the expense and uncertainty of litigation. [FN12] During the
course of these negotiations, it became clear that Congress needed to balance carefully the competing interests, and that the
matter was too complex to be resolved in haste in the final *15 days of
the current session. [FN13] Senator Hatch has stated his intention to return to
the question in the new year. [FN14]
FN11. See Inducing
Infringement of Copyrights Act of 2004, S. 2560 (introduced June 22, 2004).
FN12. See, e.g., Letter from
Gary Shapiro, Consumer Electronics Assoc., John W. Steadman, IEEE-USA, and
Kevin McGuiness, NetCoalition, to Sen. Orrin G. Hatch
and Sen. Patrick J. Leahy (Oct. 6, 2004), Opp. App.
11a-13a.
FN13. See Ted Bridis, Senate Talks Fail on File-Sharing Software,
AP Newswires, Oct. 7, 2004.
FN14. See id.
Petitioners, apparently disappointed with the
pace of the legislative process, filed the instant petition one day after it
became clear that their desired revision would not be enacted during this
congressional session. [FN15]
REASONS FOR DENYING THE WRIT
Petitioners misdescribe
the basic question presented by this case as what the rules for
secondary copyright liability should be for developers and distributors of
multipurpose digital technologies. Rather, the crucial question is who
should determine those rules.
The answer to that question has been well
settled for at least twenty years:
"Congress has the constitutional authority and the institutional
ability to accommodate fully the varied permutations of competing interests
that are inevitably implicated by such new technology." Sony v. Universal, 464 U.S. at 431. Petitioners cannot and have not offered any reason for this
Court to accept, in the district court's words, Petitioners' "invitation
to judicial policy-making," Opp. App. 7a,
especially when Congress is itself in the midst of considering the very issue Petitioners
urge on this Court.
Moreover, there is no circuit split on the
legal questions presented by this case. Nor does this interlocutory appeal
present an appropriate vehicle for Supreme Court review. [FN16] Finally, the
need for a substantial revision of *16 copyright law is not so urgent
that that it would justify this Court taking over the task from a Congress
already examining the issues raised by P2P file sharing.
FN16. This Court has repeatedly noted that certiorari from
interlocutory appeals is disfavored. See, e.g., Virginia Military
Institute v. United States, 508 U.S. 946 (1993)
(Scalia, J., concurring in denial of cert.)
("We generally await final judgment in the lower courts before exercising
our certiorari jurisdiction."); Estelle v. Gamble, 429 U.S. 97, 114-15
(1976) (Stevens, J., dissenting) (referring
to "the Court's normal practice of denying interlocutory review"); American Construction
Co. v. Jacksonville, T. & K.W. Railway Co., 148 U.S. 372, 384
(1893).
I. Finding The Proper Accommodation Between
New Technologies And Copyright Is A Task Properly Entrusted To Congress.
The primacy of Congress in our federal
intellectual property system was at the heart of Sony v. Universal:
Sound policy, as well as history, supports our consistent deference to
Congress when major technological innovations alter the market for copyrighted
materials. Congress has the constitutional authority and institutional ability
to accommodate fully the varied permutations of competing interests that are
inevitably implicated by such new technology. In a case like this, where
Congress has not plainly marked our course, we must be circumspect in
construing the scope of rights created by a legislative enactment that never contemplated such a calculus of interests.
Sony v. Universal, 464 U.S. at 431. This Court recently reaffirmed this principle in Eldred v. Ashcroft, 537 U.S. at 212.
In the wake of Sony v. Universal,
Congress has not shrunk from the task of adjusting copyright laws in light of
new technologies. As noted above, in the years since 1984 Congress has amended
the Copyright Act to address digital audio recorders, [FN17] satellite
television broadcasting, [FN18] webcasting, [FN19]
and (ironically enough) analog video cassette *17 recorders. [FN20]
Congress has expanded the reach of criminal copyright law [FN21] and has
enacted bans on devices that intercept scrambled cable and satellite television
signals. [FN22] Congress in 1998 enacted the Digital Millennium Copyright Act
to extend special legal protections to copyright owners who take steps to
protect their content with technical measures. [FN23] Tellingly, however, it
has left intact the limits on judge-made secondary liability principles
established by this Court in Sony v. Universal.
FN17. 17 U.S.C. § § 1001-1010.
FN18. 17 U.S.C. § 119.
FN19. 17 U.S.C. § § 112, 114(d).
FN20. 17 U.S.C. § 1201(k).
FN21. 17 U.S.C. § 506(a)(2).
FN22. 47 U.S.C. § 605(e)(4).
FN23. 17 U.S.C. § 1201.
None of Congress' responses to technological
change could have been crafted by courts imposing judge-made secondary liability
principles. Where courts are concerned, the Copyright Act's rigid statutory
scheme affords precious little room to maneuver. For example, prevailing
copyright owners are entitled to statutory damages based on each work
infringed, [FN24] a multiplier that would annihilate technology vendors in
virtually every secondary liability case. [FN25] The Copyright Act also
authorizes seizures, [FN26] criminal prosecution, [FN27] relaxed standards for
preliminary injunctive relief, [FN28] and attorney's fees. [FN29]
FN24. For this reason, the dissenters
in Sony v. Universal were mistaken when they argued that the courts
could impose a running royalty on Betamax VCRs, thereby approximating a compulsory license. See
Sony v. Universal, 464 U.S. at 499 (Blackmun, J., dissenting).
FN25. See 17 U.S.C. § 504(c). A single Apple iPod filled with 3,000
songs would give rise to a minimum of $2.25 million in statutory
damages. Apple has sold more than 6 million iPods to
date. See Apple Shares Close at 4-Year High, Reuters,
Oct. 28, 2004 (available at <http://
www.reuters.com/newsArticle.jhtml?type=businessNews&storyID=6651560>).
FN26. See 17 U.S.C. § 509.
FN27. See 17 U.S.C. § 506.
FN28. See Micro Star v. Formgen, Inc., 154 F.3d 1107, 1109 (9th Cir. 1998)
. *18 Congress, in contrast, has both the
institutional ability to weigh the competing concerns of the technology and
copyright industries, as well as the interests of society at large. In
particular, it is Congress alone that has the full
array of policy levers at its disposal. In accommodating copyright law to new
technologies, for example, Congress has sometimes employed compulsory
licensing, [FN30] sometimes imposed limited technology mandates, [FN31]
sometimes modified copyright's remedial scheme, [FN32] and has sometimes let
the market function without intervention. [FN33] This array of policy options
is simply not available to the courts. Moreover, Congress has been able to act
incrementally on an industry-by-industry and technology-by-technology basis,
[FN34] an approach not available to courts applying secondary liability
principles equally applicable to all copyrights and technologies. [FN35]
FN31. See 17 U.S.C. §
§ 1002 (digital audio
recorders), 1201(k) (analog VCRs).
FN34. See 17 U.S.C. §
§ 112 (compulsory
license limited to new recordings of musical works); 1002 (technology mandate
reaching only certain digital audio recorders), 1201(k) (technology mandate
reaching only analog VCRs).
Petitioners now ask this Court to grant
certiorari in order to reverse course. They
have proposed a rule that is the very antithesis of the one established by Sony
v. Universal: "A court must assess a system's actual and
probable potential infringing and noninfringing uses,
and then must balance the costs and benefits to accommodate the interests of
copyright holders in preventing infringement while protecting the right of the
public to use products for noninfringing uses."
Pet. 24 (emphasis added). They further propose that courts impose on innovators
a general "legal duty either to have designed their services differently
[to minimize infringing uses] in the first place or to take reasonable steps
going forward to do so." Pet. 10. On Petitioners'
view, it would presumably fall to the courts to define the scope of this duty
on a technology-by-technology basis, supervising the design of each new
technology that makes its way to market.
Petitioners have failed to provide any reason
why this Court should reverse the federal courts' consistent practice - now two
decades established - of leaving for Congress the task of adjusting copyright
law to each new technology. As noted above, Congress is in the midst of
evaluating legislative proposals to address P2P file sharing and other digital
technologies. Congress has the ability to act quickly (certainly more quickly
than the courts, which have now been addressing this case for more than three
years); the fact that it has not done so yet is a testament to the complexities
involved in foreseeing and balancing all of the interests at stake,
complexities that Congress is better
equipped to address than the courts.
The lower courts here applied the clear rule
that Sony v. Universal established: so long as the technology in
question is "merely ... capable of substantial noninfringing
uses," secondary liability will not lie against the developer,
manufacturer or distributor of the technology. Sony v.
Universal, 464 U.S.
at 442. By opting for a "mere capability" standard,
this Court specifically rejected Petitioners' focus on the potential for
infringing uses and the proportion of infringing to noninfringing
uses. [FN36] In fact, it was this
very point on which the Court reversed the Ninth Circuit in that case, and that
formed the dividing line between the majority and dissent. See id. at 428 (noting that the Ninth Circuit had erroneously
focused on *21 "the major use" of the Betamax);
see also id. at 498-99 (Blackmun,
J., dissenting).
The "mere capability" standard has
served copyright owners, innovators, and the public well for twenty years.
First, it is amenable to summary judgment, sparing
innovators from the threat of expensive litigation focusing on competing survey
evidence regarding the proportion of infringing and noninfringing
uses. This secures for innovators the breathing room necessary to attract
investors, develop new products, and test those products in the marketplace
rather than in court. The "mere capability" standard has also spared
the courts from having to adjudicate the legality of every new technology as it
arrives in the American living room. It has spared courts as well the awkward
task of monitoring the proportion of infringing and noninfringing
uses as they change over time in an effort to determine when contributory
infringement liability may "spring" suddenly on a technology vendor.
Copyright owners have prospered as well. As
the Ninth Circuit noted, "history has shown that time and market forces
often provide equilibrium in balancing interests, whether the new technology be
a player piano, a copier, a tape recorder,
a video recorder, a personal computer, a karaoke machine, or an MP3
player." Pet. App. 21a. In fact, the very technologies that the incumbent
copyright industries have sought to ban invariably have created new business
opportunities that have dramatically *22 enhanced the value of
copyrighted works. [FN37] Conversely, adoption of the approach proposed by
Petitioners would create uncertain and shifting litigation exposure for every
technology company whose products are widely used for
infringement, including those that distribute email clients, web browsers,
instant messaging software, CD burners, and MP3 players. Even the makers of
VCRs and photo-copiers could find themselves vulnerable to litigation by
copyright owners.
FN37. In 1983,
Jack Valenti, head of the Motion Picture Industry of
America, famously said "that the VCR is to the American film producer and
the American public as the Boston Strangler is to the woman home
alone." Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R.
4794, H.R. 4808, H.R. 5250, H.R. 5488, and H.R. 5750 Before
the House Subcomm. on
Courts, Civil Liberties, and the Administration of Justice of the Committee on
the Judiciary, 97th Cong. (2d Sess.) 8 (1983). Of
course, history proved that he was mistaken. See Susan Crabtree, Jack
Valenti Showest Medal of
Honor, Variety.com, Mar. 24, 2004 ("The Supreme Court ruled against
Universal's and Sony's attempt to ban the VCR, and home-video sales now account for more than 50% of
Hollywood's revenue.") (available at <http:// www.variety.com/story.asp?l=story&a=VR1117902222&c=1709>).
With respect to contributory infringement, the
Ninth Circuit began with a
"close examination of the record" regarding noninfringing uses. Pet. App. 10a. It found copious
undisputed evidence of actual noninfringing uses. Pet. App. 10a-11a. These uses were "substantial"
by any *23 relevant metric - they included uses that were commercial, as
well as noncommercial, and they were plainly
plentiful. Pet. App. 11a-12a & n. 10. Accordingly,
the Ninth Circuit found that the Betamax
defense properly applied, precluding the imposition of secondary liability on
the technology distributors.
With respect to vicarious liability, both
lower courts found absolutely no evidence
in the record to suggest that Respondents had any ability to supervise or
control the infringing activities of those who use their software. Pet. App. 17a-20a. Under the principles uniformly applied in
the circuits, this defect is necessarily fatal to Petitioners' vicarious
liability claim. See, e.g., A&M v.
Napster, 239 F.3d
at 1022; RCA/Ariola Int'l v. Thomas & Grayston
Co., 845 F.2d
773, 781-82 (8th Cir. 1988); Gershwin
Publishing v. Columbia Artists Mgt., 443 F.2d
1159, 1162 (2d Cir. 1971). It was Petitioners who urged a
"radical departure" *24 from these established and uniform
precedents, arguing that the court ought to impose liability even in the
absence of any "right and ability to supervise."
III. The Decision Below Creates No Split Among
The Circuits.
The answer to this question was in large part
dictated by the facts confronting the district court in Aimster,
facts starkly different from those presented in this case. Like the Napster
service, the defendant in Aimster maintained a
centralized indexing service on its computers that afforded it perfect
knowledge and complete control over the infringing activities of its users. See
*25Aimster, 334 F.3d at 646-47. In addition, Aimster's user tutorials and "Club Aimster'
services affirmatively encouraged and solicited infringing activities. See
id. at 651-52. On these facts, the Seventh Circuit
held that the district court had not abused its discretion in entering a preliminary
injunction, mirroring the Ninth Circuit's affirmance
of the preliminary injunction imposed in A&M v. Napster. As detailed above, the lower
courts in this case found the facts to be different from those in Aimster in every particular: Respondents controlled
no central indexes, had no ability to monitor or control what users searched
for, shared, or downloaded, and did nothing to directly contribute to any
infringements.
On the issue of contributory infringement, the
Seventh Circuit found that Aimster had failed to
introduce any evidence whatsoever that its technology was capable of noninfringing uses. See id. at
653. The court therefore held that Aimster could not
avail itself of the Betamax defense.
Consequently, Aimster was
left in the same position as distributors whose products have no noninfringing uses. See, e.g., *26A&M
Records v. Abdallah, 948 F.Supp. 1449, 1456 (C.D. Cal. 1996) (vendor held contributorily liable for selling custom time-loaded
cassettes incapable of substantial noninfringing
uses). The Aimster holding - that a failure to
introduce any evidence regarding noninfringing
uses forfeits the Betamax defense - is
uncontroversial and creates no conflict with the Ninth Circuit's ruling in this
case, where Respondents introduced copious and undisputed evidence of noninfringing uses.
The balance of Judge Posner's discussion of
contributory infringement, on which Petitioners rely, is entirely dicta. In the
16 months following the ruling, no court (in the Seventh Circuit or elsewhere)
has elected to embrace the views expressed there. That dicta, moreover, is
contrary to the views expressed by the other circuits that have applied Sony
v. Universal. See, e.g., Matthew
Bender & Co. v. West Publishing, 158 F.3d
693, 706-07 (2d Cir. 1998); Vault v. Quaid, 847 F.2d
255, 264-67 (5th Cir. 1988). Accordingly, there is no precedential split among the circuits that would justify
this Court's granting review. See Bunting v. Mellen, 124 S.Ct. 1750, 1754 (2004) (Scalia, J., dissenting from denial of cert.) ("We sit,
after all, not to correct errors in dicta; '[t]his Court reviews judgments, not
statements in opinions.' " [internal citation omitted]); Black v.
Cutter Laboratories, 351 U.S.
292, 298 (1956) ("[I]t is our duty to look beyond the broad
sweep of the language
and determine for ourselves precisely the ground on which the judgment
rests.").
FN39. Judge Posner
hypothesized that noninfringing uses might have
existed for Aimster's system, but held that Aimster had failed to shoulder its burden of production to come forward with
evidence regarding such noninfringing uses. See Aimster, 334 F.3d at 652.
IV. No Urgency Justifies This Court Taking
Over The Task The Constitution Commits To Congress.
Moreover, despite the widespread use of P2P
file-sharing applications, [FN40] the music industry Petitioners are *28
finding ways to prosper. The recording industry recently announced that
wholesale shipments of CDs to retailers
for the first two quarters of 2004 are up 10% over 2003 figures. [FN41] This
bolsters recent studies suggesting that file-sharing may not, in fact, be
responsible for the downturn in music sales. [FN42] Sony Music recently
disclosed to European regulators that it was profitable for the business year
through March 2004, while BMG averred that its most
recent two quarters were the most successful in its corporate history. [FN43]
And despite Petitioners' dire warning that the Ninth Circuit ruling will
cripple authorized online music services, Pet. 30, Apple Computer's iTunes Music Store recently sold its 150 millionth
authorized download. [FN44] The motion picture studio Petitioners, for their
part, are *29 enjoying their most successful years in history, buoyed by
record home video and theatrical ticket sales. [FN45]
FN41. See
John Borland, CD Shipments Surge After Lean Years,
CNET News, Oct. 20, 2004 (available at
<http://news.com.com/CDkshipmentsksurgekafterk
leankyears/2100-1027_3-5419640.html>).
FN45. See
Chris Taylor, Invasion of the Movie Snatchers, TIME Magazine (Oct. 11,
2004) ("[T]he studios can't exactly argue that file sharing is about to
put them out of business. DVD sales, which grew 33% last year,
and box-office receipts have never been stronger.").
FN46. See Dinesh C. Sharma & John Bowman, Hollywood Steps Up Antipiracy Campaign, CNET News, June 15, 2004
(available at <http:// news.com.com/Hollywoodkstepskupkantipiracykcampaign/2100-1026_
35234272.html>); Lisa M. Bowman, MPAA Warnings Hit the Big Screen,
CNET News, July 22, 2003 (available at
<http://news.com.com/MPAAkwarningskhitk thekbigkscreen/2100-1026_3-5051653.html>).
Peer-to-peer file sharing software has been
widely available for more than five years. In that time, tens of millions of
Americans have been using the software for both infringing and noninfringing uses. While the infringing uses are certainly
a cause for concern, there is no *30 urgency at this time that would
justify this Court granting certiorari and disrupting Congress' consideration
of the issues raised by P2P technologies. In fact,
recent trends suggest that the existing remedies available to copyright owners,
combined with marketplace responses, are beginning to pay dividends without any
need for changes to copyright's settled secondary liability principles. To the
extent adjustments may
prove necessary, there is time for Congress to continue its deliberations,
already underway.
The petition for certiorari should be denied.
Metro-Goldwyn-Mayer
Studios Inc. v. Grokster, Ltd.
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